Turnstile: Never Enough
Turnstile is clearly not the stereotypical hardcore band out there, they definitely like to mix things up and with their newest album, Never Enough (released June 6, 2025), they’ve done that again. Honestly, how much more can we expect from a band that has pushed the boundaries of an entire genre and shook up the scene so much already? Expectations are obviously extremely high, which is unfair because maybe we’re asking for too much…
This time, their usual hardcore sound is mixed with a wide range of styles, from electronic beats to mellow flute solos. It might sound strange on paper, but in reality it works surprisingly well. If you’re expecting a straightforward hardcore album, however, Never Enough might not be for you. Sure, there are heavy, high-energy songs like Sole and Birds that bring the classic Turnstile punch. But there are also softer moments, like one of our personal favourites - Look Out For Me, where the music slows down and opens up. In this album, frontman Brendan Yates switches between shouting and singing a lot, sometimes doing both in the same track. The result is a record that feels full of emotion and energy, but also gives you time to breathe and in a way reflect on life.
Specific to this album are also the various collaborations that Turnstile introduces. They brought in a bunch of guests to help shape the album, including vocals by Hayley Williams (Paramore) and Devonté Hynes (Blood Orange) for the song Seeing Stars. Producer A.G. Cook, on the other hand, contributed on the track Dull, while Atlanta-based singer-songwriter Faye Webster joined on the track Time is Happening. The British jazz musician Shabaka Hutchings also contributed by playing flute in the song Sunshower. It’s important to say that all these collabs don’t overshadow the album—they blend in and add something special, making the songs more interesting and the album more versatile.
Turnstile has never been a band that spells everything out in their lyrics. A lot of the songs are open-ended and emotional. You might not always know exactly what they mean, but you can feel it. This is also the first album written without their guitarist Brady Ebert, who many praise to be a very strong creative influence for the band. Brady, who left back in 2022, has recently been replaced full time by Meg Mills and is very exciting to see which direction Turnstile will head from now on.
Alongside the music album, Turnstile also released a 50-minute visual album, which playe at the Tribeca Festival in New York. As expected, it matches the album’s vibe—dreamy, loud, and colourful and if you’re curious, you can currently see it in selected cinemas across Europe.
Apart from the new album Turnstile are also currently conquering new terirorries across Europe. They just did a historical performance in Athens, Greece, not the usual destination for this type of band but for sure incredibly exciting for the fans in Southeastern Europe. They are also continuing their festival run across Europe with stops at Outbreak festival on the 13th of June and many more. Additionally, if you live in the States you can catch them later this summer playing with support by Amyl & The Sniffers, Blood Orange, Mannequin Pussy, Speed and more.
Never Enough won’t be for everyone. Hardcore fans might miss the rougher edges, and casual listeners might be caught off guard by the mix of sounds. But if you’re into music that tries something new and actually pulls it off, this album is worth your time. It definitely has a personal touch, and everyone can relate to it in their own way. Instead of shouting messages or telling stories, the songs leave space for listeners to connect however they want. Turnstile is growing and experimenting, and this album shows they’re not afraid to take risks. Whether you’re jumping around at a show or just listening on headphones, Never Enough gives you a lot to feel—and that’s more than enough.
